A Fragment in Time
Heather. 22. TX. Take a scroll through my reality.
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allthebeautifulthings9828:

I smell it in the air. It’s coming.

image

Halloween season.

(via mushroomvision)

muzzzza-udddin:

I hope I can use that line one day

(Source: alphalewolf, via c-linic)

cross-connect:

Some More Amazingly Eye poppingly Good Animated Artwork from Bill Tavis-The Tavis Monster

                                                      &

(via changesmith5)

leahreena:

sharing photos from my trip to mexico d.f. last month on my blog 

(via doses-and-mimosas)

Robin Williams (via iwishtheseweremywords)

(via keyhole-peeker)

Please, don’t worry so much. Because in the end, none of us have very long on this earth. Life is fleeting. And if you’re ever distressed, cast your eyes to the summer sky when the stars are strung across the velvety night. And when a shooting star streaks through the blackness, turning night into day… make a wish and think of me. Make your life spectacular. I know I did.

darksilenceinsuburbia:

Jill Quigley

Cottages of Quigley’s Point

Cottages of Quigley’s Point documents interventions in abandoned vernacular dwellings in my local area in County Donegal. In a landscape dominated by the legacy of therecent housing boom the remains of these older cottages are easily found, down country lanes and hidden in clumps of trees. They are known in the community by the names of the families that last lived in them, whether these families still live in the area or have moved away, and reflect that the historical aspects that linger in rural places remain a part of contemporary life.

It is common to read images of derelict cottages in a nostalgic light, celebrating the simplicity of an older way of life with a romantic attachment to hearth and home. This romanticising tendency precludes the encountering of such spaces as they actually are, as part of the landscape as it is now. The interventions are intended as a fresh approach to subject matter that would otherwise be considered an evocation of the past. The addition of bright colours and movement situate the subject in the present, briefly reanimating it in the encounter, and marks my exploration of this redundant yet accessible aspect of the locality.

My motive with this project is to disrupt rather than oppose traditional imagery of the Irish cottage, avoiding the dichotomy of the romanticised and the real. Rather, by interrupting the static interiors of these buildings I add an active and particular dimension to this element of the rural landscape, pursuing a personal means of negotiating past and present in my local community. (artist statement)

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